{"id":14597,"date":"2019-02-12T18:37:26","date_gmt":"2019-02-12T17:37:26","guid":{"rendered":"http:\/\/aline-voinot.com\/?page_id=14597"},"modified":"2020-03-24T16:34:33","modified_gmt":"2020-03-24T15:34:33","slug":"reseau-social-de-francois-joseph-talma","status":"publish","type":"page","link":"https:\/\/aline-voinot.com\/index.php\/reseau-social-de-francois-joseph-talma\/","title":{"rendered":"R\u00e9seau social de Fran\u00e7ois-Joseph Talma"},"content":{"rendered":"

[vc_row full_width=\u00a0\u00bbstretch_row\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1513000693114{background-color: #272727 !important;}\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/6″][vc_single_image image=\u00a0\u00bb1818″ img_size=\u00a0\u00bb150X150″ alignment=\u00a0\u00bbcenter\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/6″][vc_btn title=\u00a0\u00bbPortraits\u00a0\u00bb size=\u00a0\u00bblg\u00a0\u00bb align=\u00a0\u00bbcenter\u00a0\u00bb button_block=\u00a0\u00bbtrue\u00a0\u00bb link=\u00a0\u00bburl:http%3A%2F%2Faline-voinot.com%2Findex.php%2Ffrancois-joseph-talma%2F|||\u00a0\u00bb][vc_btn title=\u00a0\u00bbR\u00e9sidences\u00a0\u00bb size=\u00a0\u00bblg\u00a0\u00bb align=\u00a0\u00bbcenter\u00a0\u00bb button_block=\u00a0\u00bbtrue\u00a0\u00bb link=\u00a0\u00bburl:http%3A%2F%2Faline-voinot.com%2Findex.php%2Fresidences-de-francois-joseph-talma%2F|||\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/6″][vc_btn title=\u00a0\u00bbR\u00e9seau Social\u00a0\u00bb color=\u00a0\u00bbdanger\u00a0\u00bb size=\u00a0\u00bblg\u00a0\u00bb align=\u00a0\u00bbcenter\u00a0\u00bb button_block=\u00a0\u00bbtrue\u00a0\u00bb link=\u00a0\u00bburl:http%3A%2F%2Faline-voinot.com%2Findex.php%2Freseau-social-de-francois-joseph-talma%2F|||\u00a0\u00bb][vc_btn title=\u00a0\u00bbG\u00e9n\u00e9alogie\u00a0\u00bb color=\u00a0\u00bbdefault\u00a0\u00bb size=\u00a0\u00bblg\u00a0\u00bb align=\u00a0\u00bbcenter\u00a0\u00bb button_block=\u00a0\u00bbtrue\u00a0\u00bb link=\u00a0\u00bburl:http%3A%2F%2Faline-voinot.com%2Findex.php%2Fgenealogie-de-francois-joseph-talma%2F|||\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/6″][vc_btn title=\u00a0\u00bb\u0152uvres\u00a0\u00bb size=\u00a0\u00bblg\u00a0\u00bb align=\u00a0\u00bbcenter\u00a0\u00bb button_block=\u00a0\u00bbtrue\u00a0\u00bb link=\u00a0\u00bburl:http%3A%2F%2Faline-voinot.com%2Findex.php%2Foeuvres-de-francois-joseph-talma%2F|||\u00a0\u00bb][vc_btn title=\u00a0\u00bbS\u00e9pulture\u00a0\u00bb size=\u00a0\u00bblg\u00a0\u00bb align=\u00a0\u00bbcenter\u00a0\u00bb button_block=\u00a0\u00bbtrue\u00a0\u00bb link=\u00a0\u00bburl:http%3A%2F%2Faline-voinot.com%2Findex.php%2Fsepulture-de-francois-joseph-talma%2F|||\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/6″][vc_btn title=\u00a0\u00bbWikipedia\u00a0\u00bb size=\u00a0\u00bblg\u00a0\u00bb align=\u00a0\u00bbcenter\u00a0\u00bb button_block=\u00a0\u00bbtrue\u00a0\u00bb link=\u00a0\u00bburl:https%3A%2F%2Ffr.wikipedia.org%2Fwiki%2FFran%25C3%25A7ois-Joseph_Talma||target:%20_blank|rel:nofollow\u00a0\u00bb][vc_btn title=\u00a0\u00bbH\u00e9ritage\u00a0\u00bb size=\u00a0\u00bblg\u00a0\u00bb align=\u00a0\u00bbcenter\u00a0\u00bb button_block=\u00a0\u00bbtrue\u00a0\u00bb link=\u00a0\u00bburl:http%3A%2F%2Faline-voinot.com%2Findex.php%2Fheritage-de-francois-joseph-talma%2F|||\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/6″][\/vc_column][\/vc_row]
\n[vc_row][vc_column][vc_btn title=\u00a0\u00bbPAGE EN CONSTRUCTION – PATIENCE !!!!! \u00a0\u00bb color=\u00a0\u00bbdanger\u00a0\u00bb align=\u00a0\u00bbcenter\u00a0\u00bb i_type=\u00a0\u00bbopeniconic\u00a0\u00bb i_icon_openiconic=\u00a0\u00bbvc-oi vc-oi-cog\u00a0\u00bb button_block=\u00a0\u00bbtrue\u00a0\u00bb add_icon=\u00a0\u00bbtrue\u00a0\u00bb][vc_btn title=\u00a0\u00bbQUI SONT SES AMIS PR\u00d4CHES?\u00a0\u00bb color=\u00a0\u00bbinverse\u00a0\u00bb align=\u00a0\u00bbcenter\u00a0\u00bb button_block=\u00a0\u00bbtrue\u00a0\u00bb][vc_column_text css=\u00a0\u00bb.vc_custom_1518283718772{margin-right: -10px !important;margin-left: -10px !important;padding-top: 10px !important;padding-right: 50px !important;padding-bottom: 10px !important;padding-left: 50px !important;}\u00a0\u00bb]<\/p>\n

Apprenez \u00e0 les reconnaitre. Vous d\u00e9couvrirez leurs noms en survolant avec votre souris sur les diff\u00e9rents portraits<\/p>\n

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Napol\u00e9on BONAPARTE, dit Napol\u00e9on Ier<\/h3>\n
\n En 1793, Talma se lie d'amiti\u00e9 avec un jeune militaire : Bonaparte. Cette amiti\u00e9 perdurera lors de l\u2019accession au tr\u00f4ne du Premier consul. Sur la demande de Napol\u00e9on, le com\u00e9dien continuera ses visites, se rendant au moins par semaine \u00e0 l'heure du d\u00e9jeuner de l'empereur. Napol\u00e9on com\u00e9dien dans l\u2019\u00e2me (il th\u00e9\u00e2tralisait ses victoires comme ses d\u00e9faites) apprit aupr\u00e8s de lui. En 1799 il devient officiellement \u00ab le com\u00e9dien pr\u00e9f\u00e9r\u00e9 de Napol\u00e9on \u00bb, notamment gr\u00e2ce \u00e0 son jeu, qu'admira \u00e9norm\u00e9ment l'Empereur, dans Cinna, la pi\u00e8ce de Corneille. <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div> \n
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Pauline\u00a0 BONAPARTE<\/h3>\n
\n En 1812, Talma eut une br\u00e8ve liaison, \u00e0 Aix-en-Savoie, avec Pauline Bonaparte<\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div> \n
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Juliette R\u00c9CAMIER<\/h3>\n
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\n Juliette est tr\u00e8s admirative de Talma. Ce dernier fut tr\u00e8s assidu en participant r\u00e9guli\u00e8rement \u00e0 ses salons : pendant plus de vingt ann\u00e9es, ses r\u00e9ceptions rassemblent autour d'elle, accompagn\u00e9e de Chateaubriand qui les pr\u00e9side souvent, les esprits les plus brillants de l'\u00e9poque : Victor Cousin, Saint-Marc Girardin, Edgar Quinet, Tocqueville, de jeunes \u00e9crivains comme Lamartine, Sainte-Beuve, Balzac, des artistes comme Fran\u00e7ois G\u00e9rard, Joseph Chinard, Antonio Canova, des acteurs, Talma et Rachel, <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div> \n
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Jacques- Louis DAVID, Peintre, Politicien<\/h3>\n
\n Les critiques sont unanimes sur son immense talent. Tous sont fans. Talma innove dans son jeu d\u2019acteur comme dans le domaine des costumes : il propose de jouer les personnages v\u00eatus selon leur temps, sans perruque, et non selon la mode contemporaine. Pionnier d'une r\u00e9volution esth\u00e9tique, il travaillera avec le peintre David \u00e0 d\u00e9velopper ce nouveau style. Il r\u00e9volutionne le jeu d\u2019acteur en cessant de d\u00e9clamer le vers tragique de telle sorte que la trag\u00e9die se dirigea vers un nouveau style : le drame historique et politique. <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div> \n
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Fran\u00e7ois Pascal Simon G\u00e9rard, Baron G\u00e9rard<\/h3>\n
\n \u00ab Talma n'est plus ! Il est du devoir de ses contemporains de consacrer, par un monument durable, la m\u00e9moire d'un talent dont le souvenir seul peut se transmettre \u00e0 la post\u00e9rit\u00e9 \u00bb. Une Souscription a \u00e9t\u00e9 ouverte, un Comit\u00e9 a \u00e9t\u00e9 organis\u00e9. Il se compose de : M. le Baron G\u00e9rard, premier peintre du roi ; le Baron Taylor, commissaire-royal pr\u00e8s le Th\u00e9\u00e2tre-Fran\u00e7ais ; M. Alexandre Duval, de l'Acad\u00e9mie fran\u00e7aise ; M J.-G Ymbert, ancien chef de bureau au minist\u00e8re de la Guerre, M. K\u00e9ratry, ancien d\u00e9put\u00e9, M. Moreau, homme de lettres. <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div> \n
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Lucien\u00a0 BONAPARTE, Politicien, Prince de Canino<\/h3>\n
\n Les critiques sont unanimes sur son immense talent. En d\u00e9cembre 1821 dans la trag\u00e9die Sylla d'\u00c9tienne de Jouy o\u00f9 son physique, alli\u00e9 \u00e0 une perruque appropri\u00e9e, lui permet de \u00ab faire revivre \u00bb Napol\u00e9on s\u2019est \u00e9teint quelques mois auparavant.<\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div> \n
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Elisa\u00a0 BONAPARTE, Grande-duchesse de Toscane<\/h3>\n
\n Les critiques sont unanimes sur son immense talent. En d\u00e9cembre 1821 dans la trag\u00e9die Sylla d'\u00c9tienne de Jouy o\u00f9 son physique, alli\u00e9 \u00e0 une perruque appropri\u00e9e, lui permet de \u00ab faire revivre \u00bb Napol\u00e9on s\u2019est \u00e9teint quelques mois auparavant.<\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div> \n
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Caroline\u00a0 BONAPARTE, Reine de Naples<\/h3>\n
\n Les critiques sont unanimes sur son immense talent. En d\u00e9cembre 1821 dans la trag\u00e9die Sylla d'\u00c9tienne de Jouy o\u00f9 son physique, alli\u00e9 \u00e0 une perruque appropri\u00e9e, lui permet de \u00ab faire revivre \u00bb Napol\u00e9on s\u2019est \u00e9teint quelques mois auparavant.<\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div> \n
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Germaine de STA\u00cbL, Intellectuelle, femme de lettres<\/h3>\n
\n La correspondance de Talma avec Mme de Sta\u00ebl fut tr\u00e8s fr\u00e9quente. Bien que Talma fut un d\u00e9vot de Napol\u00e9on, et elle son ennemie, elle eut pour l'artiste une admiration presque amoureuse, et qui appara\u00eet dans ses pages d' \u00ab Allemagne \u00bb.<\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div> \n
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Fran\u00e7ois- Ren\u00e9 CHATEAUBRIAND, \u00c9crivain, Politicien, Diplomatie<\/h3>\n
\n Chateaubriand fr\u00e9quentait Talma dans les salons de Juliette R\u00e9camier que, souvent, il pr\u00e9sidait. Dans ses m\u00e9moires d\u2019outre-tombe, il \u00e9crit de lui : \u00ab On doit \u00e0 Talma la perfection de la tenue de l\u2019acteur.\u00a0Mais la v\u00e9rit\u00e9 du th\u00e9\u00e2tre et le rigorisme du v\u00eatement sont-ils aussi n\u00e9cessaires \u00e0 l\u2019art qu\u2019on le suppose ?\u00a0Les personnages de Racine n\u2019empruntent rien de la coupe de l\u2019habit \u00bb,\u00ab Je l\u2019avais vu \u00e0 son d\u00e9but ; il \u00e9tait moins beau et pour ainsi dire moins jeune qu\u2019\u00e0 l\u2019\u00e2ge o\u00f9 je le revoyais : il avait pris la distinction, la noblesse et la gravit\u00e9 des ann\u00e9es \u00bb.<\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div> \n
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Charles- Maurice de TALLEYRAND, Diplomate, Politicien<\/h3>\n
\n Talleyrand \u00e9tait pr\u00e9sent \u00e0 Erfurt. Napol\u00e9on souhaite \u00e9blouir le Tsar en organisant de somptueuses f\u00eates. Les meilleurs acteurs fran\u00e7ais tel Talma sont convi\u00e9s et interpr\u00e8tent des chefs-d\u2019\u0153uvre du th\u00e9\u00e2tre fran\u00e7ais comme \u00ab Cinna \u00bb avec Talma dans le premier r\u00f4le. Bals et soupers se succ\u00e8dent et une chasse est organis\u00e9e sur le lieu m\u00eame de la bataille d'I\u00e9na.<\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div> \n
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Joseph FOUCH\u00c9, Ministre de la Police<\/h3>\n <\/div>\n <\/div>\n <\/div>\n <\/a>\n\t\t\t\t\t\t\t\t <\/div>\n <\/div>\n <\/div> \n
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Jos\u00e9phine de\u00a0 BEAUHARNAIS, Imp\u00e9ratrice, Reine<\/h3>\n <\/div>\n <\/div>\n <\/div>\n <\/a>\n\t\t\t\t\t\t\t\t <\/div>\n <\/div>\n <\/div> \n
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Hortense de BEAUHARNAIS, Reine consort de Hollande<\/h3>\n <\/div>\n <\/div>\n <\/div>\n <\/a>\n\t\t\t\t\t\t\t\t <\/div>\n <\/div>\n <\/div> \n
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LOUIS XVIII,\u00a0Louis Stanislas Xavier de FRANCE, Roi de France et de Navarrei<\/h3>\n
\n Durant les cent jours, Talma jouera pour Louis XVIII, mais Napol\u00e9on \u00e0 son retour de l\u2019\u00eele d\u2019Elbe ne lui en voulut pas.<\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div> \n
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Jean-Baptiste Jules\u00a0BERNADOTTE, Militaire, Roi<\/h3>\n <\/div>\n <\/div>\n <\/div>\n <\/a>\n\t\t\t\t\t\t\t\t <\/div>\n <\/div>\n <\/div> \n
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Alexandre ROMANOV, dit ALEXANDRE Ier<\/h3>\n
\n En 1808, l'empereur emmena Talma \u00e0 Erfurt o\u00f9 il rencontra le Tsar, et s'amusa \u00e0 lui faire jouer devant un parterre de rois la Mort de C\u00e9sar. <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div> \n
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Alexandre Dumas (P\u00e8re); Romancier<\/h3>\n
\n Dans ses Journaux de th\u00e9\u00e2tre, Alexandre Dumas rend hommage \u00e0 l'art de Talma dans la derni\u00e8re d\u00e9cennie de sa vie, et fait le r\u00e9cit de sa mort. Il publiera, en 1849, Fran\u00e7ois-Joseph Talma. M\u00e9moires de J.-F. Talma \u00e9crits par lui-m\u00eame et recueillis et mis en ordre sur les papiers de sa famille par Alexandre Dumas.<\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div> \n
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Maximilien de ROBESPIERRE<\/h3>\n
\n Le 21 juillet 1790, la troupe de la Com\u00e9die-Fran\u00e7aise se divise alors entre les r\u00e9volutionnaires et les autres soci\u00e9taires, qui refusent de jouer avec Talma. Il s'engage de plus en plus politiquement, n'a pas de grandes affinit\u00e9s avec Robespierre, mais est tr\u00e8s mal vu de Marat.<\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div> \n
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Jean-Jacques R\u00e9gis de Cambac\u00e9r\u00e8s, Second Consul<\/h3>\n
\n Cambac\u00e9r\u00e8s \u00e9tait un grand amateur de th\u00e9\u00e2tre. Il fr\u00e9quentait assidument ces lieux de spectacle et y admira souvent Talma, vedette incontestable de cette p\u00e9riode.<\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div> \n <\/div>\n <\/div>\n\t\t\t\n","protected":false},"excerpt":{"rendered":"

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